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ART[IS]TVAT

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Created: 07/10/12
Last Edited: 11/30/12
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Description
Taravat has exhibited in solo and group shows in United States and Europe, including the 2010 California Biennial, Yerba Buena Center of the Arts, Gallerie Une, Switzerland; Marx & Zavattero, San Francisco, CA; Steven Zevitas Gallery, Boston, MA; Charlie James, Los Angeles, LA; Plane Space, New York; di Rosa Preserve, Napa, CA; and the 2003 Oregon Biennial at the Portland Art Museum, Portland, OR. Taravat is the recipient of the 2010 Diebenkorn Fellowship, Adolph & Esther Gottlieb Foundation Emergency Grant, Irene Pijoan Memorial Painting Awardee, Murphy Cadogan Scholarship recipient. Talepasand’s work is also in the permanent collection of the de Young Museum in San Francisco and the Orange County Museum of Art. Her work has been written about and reproduced in Art in America, Art Papers. Artweek, Alarm, Artltd., Art Practical, The Boston Globe, Beautiful/Decay, Examiner, Huffington Post, Javanan, Los Angeles Times, Metro Pop, Planet Magazine, SOMA Magazine, San Francisco, San Francisco Bay Guardian, Lifescapes, The Oregonian, 7x7, and New American Paintings. She is a featured artist in Different Sames: New Perspectives in Contemporary Iranian Art, edited by Hossein Amirsadeghi and featured in the documentary film Pearls On The Ocean Floor by Robert Adanto. Talepasand received her BFA from the Rhode Island School of Design in 2001 and MFA and the San Francisco Art Institute in 2006.
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  •  TARAVAT TALEPASAND
    ART[IS]TVAT                              www.taravattalepasand.com
  • Taravat Talepasand, born in 1979 in the United States, retained close family and artistic ties to Iran where she was trained in the challenging discipline of Persian miniature painting. Paying close attention to the cultural taboos identified by distinctly different social groups, particularly those of gender, race and socioeconomic position, her work reflects the cross-pollination, or lack thereof, in our “modern” society. Talepasand's works on paper and egg tempera paintings draw on realism to bring a focus on an acceptable beauty and its relationship with art history under the guise of traditional Persian painting. Her interest, however, is in painting a present which is of and intrinsically linked to the past, making it easily understood by the Iranian and inductive of assumption for the western. “ Since I myself am considered a taboo in that I am a conglomerate of equal, yet irreconcilable cultural forces, my work challenges plebeian notions of acceptable behavior,” says the artist. 
  • Pathétique Bronze
    © Taravat Talepasand 2012
  • Pathétique I
    © Taravat Talepasand 2012
  • Pathétique II
    © Taravat Talepasand 2012
  • Pathétique Installation
    © Taravat Talepasand 2012
  • Self Portrait : Sanctioned
    © Taravat Talepasand 2012
  •   Corpus Delicti
    © Taravat Talepasand 2012
  • Allegory of Isolation
    © Taravat Talepasand 2012
  • Suicide is Painless II
    © Taravat Talepasand 2012
  • Skeletara
    © Taravat Talepasand 2012
  • Terrors Advocate
    © Taravat Talepasand 2012
  • Why So Worried King
    © Taravat Talepasand 2012
  • Censored Garden
    © Taravat Talepasand 2012
  • Andarooni, BIrooni, Lies and Man [Insider, Outsider, Lies and Man]
    © Taravat Talepasand 2012
  • Dohktare Bahar
    © Taravat Talepasand 2012
  • A Modestly Dressed Woman is a Pearl in it's Shell
    © Taravat Talepasand 2012
  • Discipline
    © Taravat Talepasand 2012
  • Still Life : Haft Sin
    © Taravat Talepasand 2012
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