My paintingsfocus on color patterns and changes within landscapes over time. Using digitalmedia, I translate the observable landscape into numerical color values. I thencreate a system designed to process and reinterpret the color values. Thesystem, rather than my own choices, controls the structure and outcome of thepaintings. Finally, the information is interpreted through visual perception bycreating oil paintings of the system’s results. Even though I strive torecreate the colors as exactly as possible, color matching by mixing pigmentsand painting with a brush are imperfect methods to translate mathematicallyderived information. The cycle of moving through the sensual experience of thephysical environment, to a mathematical system interpreting the landscape, andfinally arriving at a sensual interpretation of the mathematical system acts forme as a metaphor of the cyclical and imperfect relationship we have with thelandscape throughout time.