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WHY NOT

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Created: 04/14/12
Last Edited: 12/04/12
1353
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Description
In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context.
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  • In WHY NOT Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context.
  • WHY NOT Overall 1
    3d Typography: The Geffen Contemporary at MOCA, LA
    Mixed technique
  • WHY NOT Detail 1.1
  • WHY NOT Detail 1.2
  • WHY NOT Overall 2
    3d Typography: The Geffen Contemporary at MOCA, LA
    Mixed technique
  • WHY NOT Detail 2.1
  • WHY NOT Detail 2.2
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In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into la… Read More
In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context. Read Less
Published: April 14, 2012
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  • Appreciations36
  • Comments3
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